Music

A powerful exploration of ego death and transformation through heavy, psychedelic soundscapes. This track captures the essence of letting go and dissolving into the infinite.

Breath of the Earth - A sacred invocation honoring Pachamama, the Earth Mother. This piece weaves ancient rhythms with modern metal to create a bridge between ancestral wisdom and contemporary consciousness.

Journey into the primordial void where identity dissolves and pure consciousness emerges. This psychedelic masterpiece explores the space before individuation, where all potential exists.

What Burns Within is an inward-facing composition that explores intensity without conflict and presence without resolution. The “fire” in this piece is not destructive. It is the quiet, unwavering force of awareness itself — the pressure that reveals rather than consumes. As the music unfolds, layers of tension rise and dissolve, mirroring the inner process where identity loosens and what remains is unmistakably still.

This song dissolves the hunger to arrive somewhere else. Nothing to Become moves through the exhaustion of seeking and gently opens into stillness, where the illusion of becoming fades and what has always been true reveals itself. A soft surrender into what is.

This song is a humble tribute to Sant Kabir, the mystic weaver of 15th-century India, reimagined in an English acoustic / country-folk style. In his dohas, Kabir used simple images—threads, looms, pots, water, and the ocean to point to the deepest truths of the heart. Wear Your Heart takes those images and translates their spirit into English lyrics, so that listeners who don’t know Hindi can still feel Kabir’s message.

Mai Sakshi Hūn (मैं साक्षी हूँ) is a direct pointing to witnessing awareness—the silent presence that observes thought, emotion, and sensation without becoming entangled. The song dissolves identity and returns attention to what remains untouched: the witness itself. Nothing to improve. Nothing to escape. Only seeing.

I Am Silence is a direct recognition of what remains when thought falls quiet. Not the absence of sound, but the presence beneath it; the unmoving awareness in which all movement appears and disappears. The song invites a resting, not an effort. Silence is not reached. It is remembered.

Turn with the Land is a quiet remembering that life moves in cycles, not straight lines. The song invites surrender to rhythm—seasons changing, breath rising and falling, effort softening into trust. When resistance drops, we don’t lose ourselves; we return to where we belong.

Shiva Is the Fire is not about destruction for its own sake—it is the fire that burns illusion. The song invokes Shiva as the force that dissolves false identity, consumes fear, and leaves only what is real. Not chaos, but purification. Not anger, but truth.

When the Self Falls Away points to the moment when the story of “me” loosens its grip. Not through effort or destruction, but through clear seeing. What collapses is only an idea. What remains has always been whole.

Anadi Ananta (Beyond Beginning and End) points to what has never entered time. Before birth, before death, before the idea of a start or a finish; there is that which simply is. The song invites recognition of the unborn and undying presence in which all beginnings and endings appear.

The Unbroken Breath: Gayatri Mahamrityunjaya So’ham is a meditative orchestral journey rooted in ancient Vedic mantras and the rhythm of conscious breathing. This composition weaves the Gayatri Mantra, the Mahamrityunjaya Mantra, and the natural mantra So’ham into a continuous flow; not as performance, but as presence. It is an invitation to rest in the breath that was never broken, before thought, before identity, before effort.

Deh Ke Bahar is a song about stepping out of the cage of identity. When the mind clings to the body, it creates fear. When the ego clings to a name, it creates suffering. This track is a reminder: sharp, heavy, and uncompromising. Beyond the Body points to what remains when identification falls away.

Before the Name points to what exists prior to identity, label, and story. Before “I,” before roles, before language itself—there is a quiet presence untouched by definition. The song invites a return to that nameless ground where nothing needs to be claimed.

Bam Lahiri is inspired by the original folk chant that has echoed for generations; not as a song to perform, but as a vibration to enter. This interpretation does not attempt to replace or redefine the original. It listens to it, carries it forward, and lets it move through a different form. The chant comes from a place where names loosen, where the body and the sense of 'I' begin to thin. Through repetition and force, what is unnecessary burns away not in destruction, but in clarity.

A still, meditative song inspired by the spirit of Nirvana Shatakam and the Advaita (non-dual) teaching of Self-inquiry. This composition moves through the timeless negation: ना मन, ना बुद्धि, ना चित्त, ना अहं and returns again and again to the essence: मैं चैतन्य हूँ… मैं शिव हूँ… Here, Shiva is formless; pure awareness beyond identity, beyond change, beyond fear. A mantra to listen to in silence, to sing softly, or to keep in the background for meditation, yoga, breathwork, and inner stillness.

The Quiet Light Inside: Song shaped by Kabir’s dohas, the kind that break through the noise and speak directly to the soul. It’s about the moment our ego softens, the moment we stop searching for meaning outside, and the moment we discover a light inside us that never once left. A song for anyone who’s ever felt lost, overwhelmed, or disconnected, and is ready to return to themselves.

This is a heartfelt mystical song inspired by Kabir’s timeless dohas: a gentle call to wake up from the illusion of separation and return to the Beloved within. The song weaves together two powerful dohas of Kabir.

Mahadev ke Roop: Ek Yuddh-Gaan is a Hindi heavy metal anthem that unites the many forms of Shiva into a single fire—Bholenath, Rudra, Bhairava, Nataraja, the Yogi. The song awakens the same cycle of power, renunciation, destruction, and rebirth that is felt in the raw energy of the Shiva Tandava. If you resonate with Har Har Mahadev, Om Namah Shivaya, Mahakal, or the intensity of Shiv Tandav; and you love the force of metal, power metal, and heavy metal; this track is for you.

Nothing Left to Hold moves through the final release—when every grip loosens and nothing remains to cling to. Not loss, but freedom. When there is nothing left to hold, there is nothing left to fear, and what remains is open, quiet, and whole.

As the light softens and the day comes to rest, this song reflects on a life lived with care, simplicity, and peace. The Sunset Calls My Name is a gentle song inspired by the quiet wisdom of impermanence. It speaks of endings not as loss, but as completion. Of leaving without fear, without regret, and without unfinished words.

The Six Waves is a contemplative journey into the movements of the inner world and the stillness that holds them all. Inspired by non-dual insight, the piece moves through the six classical waves of the mind — desire, anger, greed, attachment, pride, and jealousy — not as forces to be conquered, but as motions to be witnessed. Each wave rises, expresses itself, and dissolves, while the underlying presence remains unchanged. The music mirrors this process. Sounds swell and recede, tension appears and softens, yet something deeper stays unmoved. Rather than seeking resolution or catharsis, the composition invites quiet recognition — a listening that notices how experience happens without a separate controller. The Six Waves is not about calming the mind or fixing emotion. It is about seeing clearly what comes and goes, and resting as what does not. Nothing is suppressed. Nothing is purified. Only the ocean is remembered.